Claims about ‘the meaning of life’ have tended to be made and discussed in conjunction with bold metaphysical and theological affirmations. For life to have meaning, there must be a comprehensive divine plan to give it meaning, or there must be an intelligible cosmic process with a ‘telos’ that a man needs to know if his life is to be meaningfully orientated. Or, it is thought to be a condition of the meaningfulness of life, that values should be ultimately ‘conserved’ (...) in some way, that no evil should be unredeemable and irrational. And it may be claimed that if death were to end our experience, meaninglessness would triumph. (shrink)

Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’.

Fr. Bernard Lonergan's writings have not so far received much discussion in British philosophical journals, although they contain one of the most fully-developed contemporary presentations of Catholic Christianity and have a substantial and distinctive philosophical content. They have not lacked theological commentators, both in print and in conferencediscussions. The present article has three aims: to draw attention to Lonergan's work and its philosophical relevance; to notice the publication of his latest book, Method in Theology, and to venture some critical comments (...) on certain arguments about the intelligibility of being, being and the good, and God, in his book Insight. These arguments are central to Lonergan's account of theism, a theism which, in its orthodox Roman Catholic form, is presupposed by Method in Theology. The books are organically interrelated. One admirer of Lonergan described the newer book as ‘the book [Lonergan] originally set out to write’. (shrink)

Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’.

Fr. Bernard Lonergan's writings have not so far received much discussion in British philosophical journals, although they contain one of the most fully-developed contemporary presentations of Catholic Christianity and have a substantial and distinctive philosophical content. They have not lacked theological commentators, both in print and in conferencediscussions. The present article has three aims: to draw attention to Lonergan's work and its philosophical relevance; to notice the publication of his latest book, Method in Theology, and to venture some critical comments (...) on certain arguments about the intelligibility of being, being and the good, and God, in his book Insight. These arguments are central to Lonergan's account of theism, a theism which, in its orthodox Roman Catholic form, is presupposed by Method in Theology. The books are organically interrelated. One admirer of Lonergan described the newer book as ‘the book [Lonergan] originally set out to write’. (shrink)